About donbraisby

Artist's Statement My work is a record of an exploration of self and other, through passage and place. The narrative is articulated using the language of abstraction and metaphor. The final image is a shadow memory of the creative journey. The images that speak loudest to me are those found in ancient; cave and rock paintings, and the marks left in the landscape, around my home in North Wales, that record the decaying history of our industrial past. These images speak beyond culture and time. The finished work requires a viewer. The image demands to be seen, this is how it becomes alive. A new narrative is forged between the image and the viewer. The relationship developed between the image and viewer depends on the interplay and resonance between the image and the viewer’s memories, dreams and experiences. The title of a piece may direct the viewer to make a specific relationship with it. I prefer the relationship between the viewer and my work to be unmediated by titles; the ones I provide are merely my introduction of the image to the viewer.

Electro-Etching Workshop June 2018

Electro-etching with Andrew Baldwin and Don Braisby

An integrated safer & less toxic approach to etching

31 May & 1 June 2018
10:00am-4:00pm

This workshop will demonstrate the mark making potential of combining the use of electro-etching and the safer etching processes and techniques developed and taught by Andrew Baldwin. Electro-etching provides a safe, cost effective and creative replacement for acid etching and its alternatives. The combination of the safer etching techniques and electro-etching makes it possible to etch in an open studio and to teach etching in the classroom.

This is a practical hands-on workshop

Workshops aim:

  • Provide a simple introduction to the theory and practice of electro-etching and safer etching.
  • Introduce the equipment needed for electro-etching and plating, how to set it up and use it safely.
  • Creative plate making using safer methods and processes to; lay grounds, aquatint plates, spit bite and sugar lift.
  • Proofing and printing plates in two colours.
  • Introduced participants to electroforming and electrotyping as a potential process in printmaking, jewellery and sculpture.

Objectives:

  • Participants will have gained a working knowledge of electro-etching and the use of safer etching processes and techniques to use in their print making practice.
  • Provide feedback for post-doctoral research.

http://www.printmakingstudio.co.uk/

https://donbraisby.me/

Non-members £140.00/Members £90.00

Booking essential (via email or telephone)

Print from stereotype plate

This is one of the first prints off the stereotyped plate from earlier entries in my research blog. The plate was inked up using Hayter’s viscosity method, the second colour being silver, the first being cadmium  yellow deep hue . The plate is very heavily embossed, it has been through the press about twenty times and is holding out well and will certainly be good for a large edition if it was required.

opening walk