In the Depths
Corroded Copper 21 x 38 cm
Electrolytic action on copper
1/2 June 2017
This workshop will teach two etching processes that can be used to etch at home or in a classroom situation, these are saline sulphate and electro-etching.
Both processes have been described as being ‘safe etching’ however in this workshop we will focus on their potential for alternative mark making rather than on their non-toxic credentials. Don Braisby who is teaching the workshop is completing his doctoral thesis on electro-etching.
- Provide a simple introduction to the theory and practice of electro- etching.
- Introduce the equipment needed for electro-etching and plating, how to set it up and use it safely.
- Creative plate making, resists and stop outs
- Preparation and etching of plates.
- Participants will have gained a working knowledge of both saline sulphate and electro-etching
- To make and proof at least one plate in each process.
- Introduced to electroforming and electrotyping as a potential process in sculpture and printmaking.
- provide feedback for use in research.
Non-members £120.00/Members £75.00
Booking essential (via email or telephone)
telephone: 01978 267629
Completed table top sculpture (59cm x 16cm). References Jasper Johns Light Bulb series. The apple and pear are floating on a copper base that is an electrotype copy of a piece of rusted iron that I have been saving for making another object in the same series.
An old lump of concrete that looks like it has spent many years in the sea was found on Abergele beach. Its colours and texture make it a natural fit with this electroformed pear.
Although the starting place for the research was focused on electro-etching for printmaking the use of electrolysis in making sculptural 3D objects is becoming an area of interest for me, especially after the visit to the Castle Fine Art Forge.
The research journey has been an interesting one. For me there has been a fusion of the research and the making of objects each process informing the other. In my artist statement I describe the idea of the two journeys, the inner and outer that I believe happen in the making of art objects. This could be mistaken as meaning that my work is process driven, that is the creative journey is more important than the product. In the production of this object the narratives of all three are important and are fused into it. The narratives of the two journeys, and the two objects that are now one, encompass constant change. As an art object it is a still life and as such is a reminder of death in life.